Natasha’s written work explores the intersections between art, media and (mostly continental) philosophy. Special areas of interest include: intermedia and critical mediality, global art and the status of sensory knowledge in cultural experience, biopolitics and performativity, and more recently, datafication and complexity.
Natasha is the author of two books, Fluxus the Practice of Non-Duality (Rodopi 2014) and Interdisciplinary Performance (Palgrave 2016). She is also editor of The Aesthetics of Necropolitics (Rowman and Littlefield 2018); Beyond Mind, a special issue of Symbolism the annual of critical aesthetics (De Gruyter 2019); Big Data – A New Medium? (Routledge 2020), and co-editor (with Iain Campbell) of Distributed Perception: Resonances and Axiologies (Routledge 2021). Between 2012 and 2019 she led three interdisciplinary research projects – the Bridging the Gaps-funded Critical Gaming (2012–13), which explored the gamification of everyday life; the HASS and Maudsley-Trust-funded Spaces of the Mind (2013–16), an investigation into the production of space in neoliberal institutions of care; and the LaSalle and NAC-funded Imaginations of Disorder (2016–19), an exploration of artistic, philosophical and scientific notions of disorder. She is currently working on an AHRC-funded project entitled The Future of Indeterminacy: Datafication, Memory, Bio-Politics.