Natasha’s work focuses on the politics and poetics of relationality. In everyday life, when two or more individuals exchange words and gestures, share space and time, they produce a way of being which is simultaneously a way for the accidental to become repeatable, for the disparate to become meaningful and for the provisional to become instituted. Ranging from interdisciplinary and site-specific work to interventionist performance and social choreography Natasha’s (often unannounced) projects explore this ‘movement’ of relationality, its cohesive, escalatory and, above all, hegemonic powers.